Reviews

  Photo: Remigiusz Gałązka

EL NORTE, Monterrey (15/05/2008) Most striking about his style was his power to create a total beauty of the sound. Technical control was absolute. ... This and his ability to fathom each piece out, to understand and to project it, resulted in an interpretation of the highest degree. A Debussy shaped with so much sonorous refinement has not often been heard in this hall, in so supreme a technique, with a poetic nimbus and magical sleight of hand. ... Besides this Debussyan jewel box he gave a personal and impressive version of "Pictures of an Exhibition", a true example of his artistic maturity. No tugs and blows..., but an ample palette of colors, handling of tempi with certainty, nuances shaped with best taste and a sense of proportion that convinced from beginning to end.
Alejandro Fernández

LA VERDAD (21/02/2007) ... A pianist so sensitive and talented for chamber music as the young French artist proved to be.
Octavio de Juan

HANNOVERSCHE ALLGEMEINE ZEITUNG (08/05/2006) He coloured the sound of the piano with swinging nuances and turned it into magical images. Secretely, there was a piano poetry at work that engrossed in worlds of meditation.
Ludolf Baucke

BADISCHE ZEITUNG (20/07/2005) The fantasy of the sound and the tasteful rubato playing of F.V-K. are marked by an agility of touch that mainly lives on a broad palette of piano-colours.
Friedrich Sprondel

RZECZPOSPOLITA (03/08/2004) A thoroughly-thought and original interpretation, a deep and harmonious sonority are the characteristics of the piano playing of F.V.K., who displayed all his art in the Polonaise op 44, the Nocturn op 48 and the Ballad n° 4 op 52.
Katarzyna Kwiecien

DER BUND BERN (27/02/2001) This instrumentalist is already a real master in the art of nuances, shaped transitions and in the quasi-magical breadth of half-tones.
Martin Etter

OBERBADISCHES VOLKSBLATT (15/11/2000) A clearly articulated, flexible, nervous but delicate touch, which fits into the dynamics of a pianist, unquestionably at the top of his art.
Juergen Scharf

LE MONDE DE LA MUSIQUE (02/1997) The elegance of his touch, his bridled sensitivity, his architectural accuracy and the diversity of his playing bring him up to the level of musical performers of reference.
Michel Le Naour

SCHWARZWÄLDER BOTE (15/10/1996) This musician has displayed signs of a true artistic maturity, brilliantly mixing technical mastery and a virtuoso sense of interpretation.
Siegfried Kouba